Claire Poujoula

CLAIRE POUJOULA

Cannes, FRANCE

“It's not because things are difficult that we don't try; it's because we don't try that they're difficult.” – Seneca

She was born in Toulouse, where she grew up in a family of women's shoe designers... It was in her grandfather's factory that she developed her senses... In contact with the workers who transformed a noble and living material, leather, which once passed through their skillful hands became a shoe, a piece of elegance. At the age of 10, her first pottery workshop was a revelation: she discovered the pleasure of creating with her hands, and experienced a fascinating material with infinite possibilities.

8 products
Fiore Big Dish - Claire Poujoula Fiore Big Dish - Claire Poujoula
Fiore Big Dish
Sale price€150,00 EUR
Rosae Coffee Cup - Claire Poujoula Rosae Coffee Cup - Claire Poujoula
Rosae Coffee Cup
Sale priceFrom €62,00 EUR
Nea coffee cup - Claire Poujoula Nea coffee cup - Claire Poujoula
Nea Coffee Cup
Sale priceFrom €62,00 EUR
Ponza Big Plate - Claire Poujoula Ponza Big Plate - Claire Poujoula
Ponza Big Plate
Sale priceFrom €70,00 EUR
Bottle On the Beach - Claire Poujoula Bottle On the Beach - Claire Poujoula
Bottle On the Beach
Sale price€253,00 EUR
Ponza Big Dish - Claire Poujoula Ponza Big Dish - Claire Poujoula
Ponza Big Dish
Sale price€182,00 EUR
Theros Big Plate - Claire Poujoula Theros Big Plate
Theros Big Plate
Sale priceFrom €74,00 EUR
Candle Fiore unscented - Claire Poujoula Candle Fiore unscented - Claire Poujoula
Candle Fiore unscented
Sale price€130,00 EUR

You might wonder...

Yes, her products are dishwasher and microwave safe, so there's no difference in use or maintenance with industrial products.

We do, in case of special request do reach out to TA-DAAN in chat or via e-mail and we'll let you know if we can meet your needs

more about Claire Poujoula

Value in the details

Crafting with Fire: High-Temperature Clay

She exclusively works with "high-temperature" clay, like porcelain and stoneware, primarily using two techniques: stamping and casting.

Stamping involves shaping clay by hand or using a plaster mold. Casting uses liquid clay poured into a mold, dried after excess is removed.

After casting or stamping, pieces dry briefly and then fire at 980°C. They are sanded, glazed, and fired again at up to 1250°C on the same day. Each firing takes 2 days with gradual temperature changes.

She focuses on the second firing's temperature, crucial for achieving desired glazes.

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